Short Film Package

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Comparing La Jetee, the short, and 12 Monkeys, the full-length movie

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 In the full-length film "12 Monkeys", James Cole is a state prisoner in 2035. He is eligible for release if he agrees to go back in time and stop a terrible plague. The majority of people on Earth have been wiped off by the virus, and those who remain dwell underground because the air is deadly. Returning to 1990, six years before the virus breaks out, Cole is quickly locked up in a mental hospital because his warnings seem like deranged rants. He meets Jeffrey Goines, the crazy son of a renowned virologist, and Dr. Kathryn Railly, a scientist. The authorities send Cole back to 2035, and he eventually arrives in 1996, where he was supposed to be. In order to get Dr. Railly's assistance in his mission, he kidnaps her. As Cole investigates the mystery, he hears voices, gets disoriented, and questions his own sanity. Cole finds graffiti that appears to be the work of the Army of the Twelve Monkeys, an alleged animal rights organization. He has to determine whether Goines, w...
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Short Film Research: In Other Words

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 a. Common Sound in your genre The quiet soundtracking in the back was a good touch. I feel as though it made the awkward last goodbye good. It made it clear that neither character really wanted what was happening to happen. It casts a little playful doubt on the character's feelings, which makes a nice dynamic. b. Common Mis-En-Scene (CLAMPS) in your genre I thought the costuming of the characters was befitting to their characters: The guy, who was a little more reserved was covered in clothing, showing little skin. The girl, who clearly is a little more outgoing and expressive was wearing a crop top, which shows she is freer than he is. c. Common Editing in your genre In th very beginning, there was this zoom-in as the main character was fidgeting with her knees and clothing. I thought this set the course of the events well, as made for just a cool visual. I really also enjoyed the subtitling. The subtitles didn't reflect a single word stated in the short, but seems to fit wh...
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"Prisoners" and its conventions

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The lighting in the film "Prisoners" feels very natural . For a majority of the movie, the characters are lit by a light placed outside the window, which creates the illusion of daylight or on one side in the indoor shots as if someone were in the room or building. In some scenes, the only light present comes from headlamps, flashlights, and candles. Here, we see high contrast, low light, and deep shadows while still retaining clean visuals.  Prisoners  is a dark film in content, and the director really shows it through the way he did the  lighting. The audience doesn't actually see the sun even once throughout the entire film. Every shot outdoors is done at night, or with gloomy weather, and sometimes in rainy or even snowy times, still obscuring the sun. That results in an a very grey tone with desaturated colors and a visual aesthetic which lines up very well with the story. For the indoor shots, the characters are almost always backlit or side lit,...
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